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More Ice Age art is discovered at Church Hole at Creswell Crags during detailed study by the research team in 2004.

New research in 2004 at Creswell Crags has revealed the World's most elaborately carved cave ceiling dating to around 13,000 years old according to the research team who have been studying the art. The specialist team, comprising Dr Sergio Ripoll, Dr Paul Pettitt, Dr Paul Bahn, and Dr Francisco Muñoz, have made extraordinary new discoveries during two further research episodes this year. Following the initial discovery of 12 engraved figures depicting birds and a deer (first thought to be an ibex) among other animals in April 2003, findings which took the archaeological world by storm, now further research, again funded by English Heritage, indicates the presence of in excess of 80 engraved figures in the soft limestone rock of Church Hole cave, Creswell Crags (Nottinghamshire).

Dr Sergio Ripoll explained that 'The good natural light both in April and June of this year, and the realisation that the Ice Age artists who were visiting Church Hole were actually modifying the natural shapes in the limestone, has enabled us to see many new animal figures including representations of bison, deer, bears, plus two or three species of bird including a beautiful and unique depiction of a bird-head with a long curved bill'.

Dr Paul Bahn added, 'The sunny mornings especially provided an opportunity to see the cave illuminated by a brilliant reflected light, presumably how our Ice Age ancestors meant for the art to be experienced, conditions which revealed a number of bas-relief figures carved into the soft and very sandy Magnesian limestone.' Dr Bahn went onto explain that, 'bas-reliefs on cave ceilings are extremely rare even on the continent (the single depictions in the Abri Pataud and the Abri du Poisson, France come to mind), it is obvious that Church Hole possesses the most richly carved and engraved ceiling in the whole of cave art.'

During the most recent recording work at Church Hole at the beginning of July the research team were pleased to welcome Michel Lorblanchet, the leading European cave art specialist from the National Centre for Scientific Research, France. Dr Lorblanchet commented that, 'This is a discovery of huge importance which is something new and highly original not only in its geographical location, which shows that cave art extends over a much vaster area than we thought, but also in the themes and techniques displayed in Church Hole'. Dr Lorblanchet added that, 'This will cause specialists to rethink many things about the cave art on the continent'.

The large stag and other figures shown with superimposed lines drawn for clarity.
A bird in the ceiling of Church Hole. Top picture is the rock face and the lower picture the interpretation.
A large and small horse in the ceiling of Church Hole. A line has been superimposed for clarity. Two pictures of a bison in the ceiling of Church Hole. Far left the rock face, near left the interpretation of the bison facing left.

Dr Paul Pettitt, one of the research team added that, 'The art, like the objects from the Ice Age occupations in the Creswell caves, shows striking similarities to what is found in continental Europe. As Britain was connected to the Continent across the North Sea at the time, this emphasises the intimate connection between the Creswellian hunters and their European neighbours. The art can be seen as one part of a Europe-wide hunter-gatherer culture'.

Biographies of the research team:
Dr Paul Pettitt is Lecturer in Human Origins, The University of Sheffield. He has been a scientific consultant for Creswell Crags, and researches the archaeology of the Ice Age.

Dr Sergio Ripoll is Reader in Prehistory at UNED, Madrid (Spain's Open University) and is one of Spain's foremost authorities on cave art. He has been a member of several international cave art commissions, including those of Chauvet Cave, Portugal's Côa Valley, and the French site of Angles-sur-l'Anglin.

Dr Francisco Muñoz is Lecturer in Prehistory at UNED, Madrid (Spain's Open University). He is a specialist in the Upper Palaeolithic and Palaeolithic art, and has taken part in the study of numerous archaeological sites of the Late Upper Pleistocene.

Dr Paul Bahn is Britain's leading Ice Age art specialist. He is a freelance writer, editor and translator of archaeology books, including Archaeology: Theories, Methods and Practice with Colin Renfrew. He has been a member of several international cave art commissions, including those of Chauvet Cave, Portugal's Côa Valley, and the French site of Angles-sur-l'Anglin.

All pictures are courtesy of Sergio Ripoll, Francisco Munos, Paul Pettitt and Paul Bahn. To view additional images of the research and higher resolution images go to http://www.uned.es/dpto-pha/creswell/fotos.htm

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